Hardship to Hope

“untitled (Jitterbug Dancer)”

untitled (Jitterbug Dancer)

Charles Sallée Jr., watercolor

“Sonny”

Sonny

Hughie Lee-Smith, pencil/black chalk

“15th Defense”

15th Defense

Elmer W. Brown, linocut

“Share Cropper”

Share Cropper

William E. Smith, linocut/Indian ink

“Potrait of Boy Study”

Potrait of Boy Study

Curtis E. Tann, watercolor

“The Dump”

The Dump

Curtis E. Tann, watercolor

“Stable Boy”

Stable Boy

William E. Smith, linocut

“Soldier Sketching”

Soldier Sketching

John Lear, watercolor

Swingtime

Swingtime

Charles L. Sallée Jr., aquatint/etching

“Tool Shed”

Tool Shed

Fred Carlo, linocut

September 13, 2011 – January 1, 2012

In collaboration with Cleveland State University

1930s Cleveland, Ohio…labor strikes and riots…the “Mad Butcher” torso slayings…the city in the throes of the Great Depression. Hard times, but with them glimmers of hope. The Terminal Tower opened, Jesse Owens set records, Superman was created. Budding artists and performers were finding hope at a settlement that would become Karamu House, a center of community and gathering place for free expression.

 

Working with Cleveland State University, Karamu House, the Cleveland Museum of Art, Cleveland Artists Foundation, Western Reserve Historical Society and a private collection, the Museum has gathered more than sixty-five pieces, art and artifacts that open a window to a turbulent and creative time in Cleveland.

 

Sponsored by Calfee, Halter & Griswold, LLP and Marilyn Cagin.

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