Upcoming Exhibitions

 

Leonard Bernstein: The Power Of Music

SEPTEMBER 25, 2019 – MARCH 1, 2020

Leonard Bernstein: The Power of Music is the first large-scale museum exhibition to illustrate Leonard Bernstein’s life, Jewish identity, and social activism. Audiences may be familiar with many of Bernstein’s works, notably West Side Story, but not necessarily with how he responded to the political and social crises of his day. Visitors will find an individual who expressed the restlessness, anxiety, fear, and hope of an American Jew living through World War II and the Holocaust, Vietnam, and turbulent social change—what Bernstein referred to as his “search for a solution to the 20th‐century crisis of faith.”

The exhibition explores his Jewish identity and social activism in the context of his position as an American conductor and his works as a composer. It features interactive media and sound installations along approximately 100 historic artifacts, including Bernstein’s piano, marked-up scores, conducting suit, annotated copy of Romeo and Juliet used for the development of West Side Story, personal family Judaica, composing easel, and a number of objects from his studio.

Group tours for schools and adults now booking! Contact Sjobor Hammer (shammer@mmjh.org; 216.593.0595) to learn more about special pricing and available times and dates

Leonard Bernstein: The Power of Music has been made possible in part by major grants from the National Endowment for the Humanities: Exploring the human endeavor. Key support provided by The Horace W. Goldsmith Foundation. Major support provided by The Asper Foundation; CHG Charitable Trust as recommended by Carole Haas Gravagno; The Harvey Goodstein Charitable Foundation; Lindy Communities; The Leslie Miller and Richard Worley Family Foundation; and Cheryl and Philip Milstein. Additional support provided by Judith Creed and Robert Schwartz; Jill and Mark Fishman; Robert and Marjie Kargman; David G. and Sandra G. Marshall; Robin and Mark Rubenstein; and The Savitz Family Foundation. Special thanks to The Leonard Bernstein Office; the Bernstein Family; Jacobs Music; and the Milken Archive of Jewish Music, and USC Shoah Foundation. And with appreciation to Annette Y. Friedland; Christian R. and Mary F. Lindback Foundation; Dolfinger-McMahon Foundation; Eugene and Emily Grant; Ruth and Peter Laibson; and Laura and Mark Rosenthal.

Sponsor list forthcoming